Exhibition :
A body for the mind



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EXHIBITION 

Gestures Traces Memory  











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FOREWORDS


The visual language has a long history, carrying the evolutions of humans development. As a part of that field, the scriptural language has led us to the possibility to figure names, to describe and relate events; opening us to understand and permiting to remember.


The written language has diverse functions, involving multiple layers of production and understanding. It consists in a relationship between the legibility, the visibility and the expressivity. Besides the clear use we approach daily, some of its features are double, even ambivalent. However the signs encompass mystery and sensitivness : abstract and concrete, we do also perceive their deep complexity.


Being a tool of presence when the materiality of things vanished away from the senses, the writings are here to keep and share our emotions. Free from the oral language transcription, they exhibit something different from what they are generaly attributed to, regarding the alphabet as a minimalistic system of the transcription of sounds.


“We feel the forms as much as we read their meaning.”



Indeed their history reflects the human-being matters. The writings are lively forms : they vibrate, transmit, tell, sweat, exchange. They are the visible -intimate and public- movements of the mind as a body for our thoughts.



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        I show   
I show
#calligraphy #writing #print #linocut #engraving #photograph #exhibition of my #art #projects on #paper and #screen                                                                





W
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DYES-WASTERS 
Monotype 13x24cm

︎︎ ︎ ︎ ︎︎ ︎  ︎  ︎ ︎︎︎︎ ︎




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EXTRUSIONSHIP
Mixed medias

︎︎ ︎ ︎ ︎ ︎ ︎ ︎︎






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 Le 22
 Collective exhibition
 ︎  In collaboration with François Leroy at Le salon reçoit.

︎ ︎  ︎   ︎  ︎ ︎






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ÉCRITURES REFORMÉES
Solo exhibition at La Maison des Arts, Blagnac, France.

︎︎︎︎︎︎︎ ︎






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HEAD SPACE
Writing, walls & a pillar.

︎︎︎︎︎ ︎︎ ︎ ︎ ︎ ︎ ︎






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REMEMBER HIGHWAYS TEASE-STRIP
Writing, ceiling, pillar. 
Paintings for Mama Shelter, Bordeaux.


︎︎︎︎︎ ︎ ︎ ︎︎





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MELTING HARDNESS 2
Calligraphy & wall

︎︎︎︎︎





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COMMENT LA PAROLE
Exhibitions and transdisciplinary events
For the public librairies of the Haute-Garonne region, France.

︎︎︎ ︎ ︎︎︎






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SANS-TITRE
Linocut

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ORGANIC CONTRADICTION
Etching 
︎ Collaboration with Bernard Fontaine.

 ︎  ︎ ︎





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I NT ER VAL
Ink on paper.

︎  ︎  ︎  ︎




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`OK ^ u = - #C
Paint on folded paper, A4.

︎   ︎    ︎






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CWATCHIN’ LIPS SOUNDS
Ballpoint pen on paper.

︎︎︎   ︎





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KEY FOR NO DOOR
Spraycan and ink on paper.

︎ ︎


︎︎
Le 22
Calligraphies
︎ Collective exhibition with François Leroy at Le salon reçoit.

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THE TIMES OF A RAINY CAT
Mixed media.

︎︎ ︎





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CONTRADICTION
Calligraphy composition
for Antirust fanzine n°1.

︎  ︎  ︎  ︎





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Le moment où LE REGARD SE TROUVE ET LA LECTURE SE PERD
Collective exhibition
︎ F. Leroy, K. Sabatier, C. Llop at Archipel, Toulouse.

︎ ︎  ︎ ︎ ︎ ︎






  The writings are the visible movements of the mind, a body for our thoughts.